I Can't Stop This Feeling: Crisis, Comfort and Craft at MKG 127

This is a great sounding/looking exhibition currently up at MKG 127 Gallery, which I plan checking out within the next few days.  If you're in town, why not take a jog down our fine city's recently maligned Ossington Avenue and check it out too?

I Can’t Stop This Feeling: Crisis, Comfort, and Craft, an exhibition of new work from Toronto/Hamilton based collective, SHAKE -n- MAKE.

Opening Saturday May 30 2-5 PM 

"We grew up in the 70s, in the midst of turmoil and social upheaval. Planes were hijacked, gas was in short supply, the traditional family was in flux, and an American president resigned in disgrace. Through the lens of Afterschool Specials, we saw the world as a crisis waiting to happen; we learned that trauma was just beyond the wood paneled walls of our Rec room. Not surprisingly, we sought comfort in all things homey and homemade. Collectively, an entire culture tried to craft its way back to the 50s, only the tools, and rules, had changed. Try as we may, Betty Crocker’s canned concoctions, macramé and string art, shrinky dinks and felt banners, embroidery and toaster cozies, didn’t make life any simpler or safer. But still we persist."

SHAKE -n- MAKE is a collective that was inspired by the discovery of vintage Betty Crocker recipe cards. On the heels of a personal loss, the unearthing of these retro recipes culminated into a desire to craft a way out. SHAKE -n- MAKE is motivated by a shared experience of growing up in the 1970s, where survival, crafting, and popular culture defined not only an era but also our childhoods.

Claudia Manley is a writer and crafter who is interested in almost everything. She is currently obsessed with sewing and hunting and recently was awarded a Writers’ Reserve grant from Coach House Press. Claudia is interested in navigating the tension between the rustic and the refined.

Liss Platt is a multimedia artist who works at the intersections of digital arts and craft. Liss is interested in using ‘hobbyist materials’ to re-envision high modernist traditions. While exploring compulsion and repetition, Liss retains connections to nostalgia. She is currently an Associate Professor in Multimedia at McMaster University.

Steph Rogerson is a crafter, artist, curator, and academic who believes there is critical power in television. Long-term interests include semiotics, photography, and queer theory. Current interests are Gordon Ramsey, Adam Lambert, and embroidery.

SHAKE -n- MAKE would like to thank Shasti O’Leary Soudant, Ian Manley, Karen Valino, Cecila Berkovic, Liz Abram, and Vesta-la.

The exhibition continues until June 27.

MKG127 is located in Toronto at 127 Ossington Avenue between Queen and Dundas Streets at the NE corner of Ossington Avenue and Argyle Street.

Hours are Wednesday to Saturday from 12 to 6 PM or by appointment.
For more information call 647-435-7682.

Barb Hunt Interview

I recently conducted the following interview for Toronto Craft Alert, a contemporary craft blog and excellent local art and craft resource. Barb Hunt is a Newfoundland-based artist and educator, whose work I was lucky enough to be introduced to by a beloved teacher in art school a few years ago. Her political and often poignant work employs craft processes to explore rituals of mourning and address the devastation of war.  

For more on Barb and her work, seek out the excellent book By Hand: The Use of Craft in Contemporary Art edited by Shu Hung and Joseph Magliaro, or check out Barb's website: http://www.barbhunt.com

http://torontocraftalert.ca/2009/05/29/question-for-crafters-barb-hunt/

Pictured:  The Old Lie, seams from used army fatigues, 3.5 X 8 m (2007) Installation at Stride Gallery, Calgary

Photo credit: Hutch Hutchinson

Alice and Dali

A pretty damn great picture of rock god Vincent Furnier a.k.a. Alice Cooper with father of surrealism Salvador Dali during a 1973 performance.  Cooper, quoted in Spin Magazine:

"Dali was our rock star; he was our patron saint.  By 1971 or 1972, Alice Cooper and Bowie were the only artistic things going on (in rock'n'roll), so he looked at what we did as surrealism.  But I was nowhere near his league.  He made me the straight man.  So there's a three-day shoot for the hologram and finally a small press conference where he says, "This is the Alice Cooper brain," and pulls out a ceramic brain with a chocolate eclair stuck to it and covered with ants that spell out ALICE AND DALI.  I asked him if I could have it and he said 'Of course not- it's worth millions.'  And he made it the night before.  Stayed up all night making the Alice Cooper Brain."

"That's definitely in the top five things that ever happened to me.  And by the way, no one knows where the brain is.  It's my holy grail, so if you find it let me know."

Half Cat, Half Raccoon

Here is a illustration I stayed up finishing late last night for a my pal/co-worker Mark's forthcoming children's book of prose...there will be at least a few more where this came from.  I'll be sure to post them as they materialise...

PS:  Marion Street is off of Roncesvalles Avenue.

Lookit, Lookit, Lookit at Harbourfront Centre

It's a little late to be posting about this seeing as the opening happened already, but Lookit, Lookit, Lookit is up and is going on until June 21st in York Quay Centre's South Vitrines.  See the following for more information...

Lookit, Lookit, Lookit

Curated by Melanie Egan

May 9th-June 21st, 2009

York Quay Centre, Harbourfront 

Eight Canadian artists muse on perception in this exhibition that asks what it is that captures our interest long enough to formulate opinion, describe a viewpoint, or gain insight. So many things are not what they seem – a mere glance is just not enough. Curated by Melanie Egan. Exhibition works include:

Chet Domanski - In remote areas of the Alberta wilderness, oil and gas wells keep the province’s economy moving. These wells are given new prominence through the creation of stunning bracelets that are machined from worn production tubing used at the wells. Each bracelet has a tag with a geographic reference point to allow the owner to find the location of the well.

Tara Bursey – Onion and garlic skins are employed to create a series of women’s gloves. Common food waste such as corn silk and garlic stems serve as embellishments while evoking anatomical details, skin conditions and cosmetic flaws. The gloves, while serving as an attractive foil, allude to the fragility and strength of the human body and the temporal nature of all living things.

Candice Ring - Functional porcelain vessels are influenced by nature, figure and history. Voluminous forms, rich surfaces and reference to 18th century English earthenware all play a part in the objects. Ring’s processes are similar to that of a tailor; cutting, darting, altering and mending fine porcelain are techniques used to give character and grace to each piece.

Also featuring works by Nadia Li Chai, Barb Hunt, Sarah Troper, Rachael Wong, and Arounna Khounnoraj.

For more information, and information about other shows happening at York Quay Centre this month, consult the Harbourfront Centre website.

Hunt and Gather Trunk Show

Here are some pictures of my wares at the Hunt and Gather Trunk Show today. Even though I had a late night last night and had about 4 hours of sleep in total, I managed to have a great (though utterly lethargic) day and an awesome time hanging out with some uber-talented crafters. Shout outs go to flu-ravaged button-ista Becky of Sweetie Pie Press (my table neighbour for the day) and the lovely and talented ceramicist Emily of Nesting Emily, who I was very happy to have met for the first time!

Thanks Becky and Karen of the Workroom for inviting me!










































(Photos by Karen Valino)

Glove inventory...

For the past month and a bit, I've been working on these onion/garlic skin gloves for an upcoming exhibition hosted by Harbourfront's craft department. I'm nearly finished constructing eight pairs of gloves- all the ones that will be shown- but I have yet to apply any "details" to six of the eight pairs. Yikes! The show opens during the first week of May...this is going to be a pretty hectic next couple of weeks, to say the least...

A portion of the artist's statement:

"Second Skins expands on an existing body of work involving the use of vegetable matter/skins and sculptural material. These works have explored the inherent structural sameness of plant, animal and human beings, often by using plant and food matter to represent both animal and human forms. At the root of these works are diverse interests in biology and taxonomy, the relationship between the body and the garment, and the universal impulse to hoard.

"Onion and garlic skins are employed in Second Skins to create a series of women’s gloves. Common food waste such as corn silk and garlic stems serve as embellishments while simultaneously evoking anatomical details, skin conditions and cosmetic flaws. The gloves, while serving as an attractive foil, allude to the fragility and strength of the human body and the temporal nature of all living things."

Hunt and Gather Trunk Show

Next Sunday, I'll be a part of the Hunt and Gather Trunk Show at the Workroom, curated by Becky Johnson and Karen Valino! I'll be peddling zines, pins, crafts and a few selected pieces of larger artwork as well as some awesome rummage which will include sewing supplies, Japanese and found papers, vintage books, nik naks and other miscellanea. The show will feature some awesome local makers of paper goods, craft, wearables, ceramics, art and their craft-related rummage! A really awesome opportunity to score some great stuff!

Other vendors include:

Fieldguided
Girl Number Twenty
Lines by Davis
Mr. Skona
Needle Book
Nesting Emily
Old Weston
Resurrection Fern
Sarah Anne Fork
Sara McNeil
the sweetie pie press
the workroom

Free food, too! Hope to see you there!

The Hunt and Gather Trunk Show
Sunday April 19, 2009
Noon-5pm
the workroom
1340 Queen Street West
http://cityofcraft.com/2009/huntandgather/index.html

Zine Geekery

I have SO much to do this month, it's insane. I am going though heaps of bull$#*t right now pertaining to university applications, I am spending nearly every night doing work for a show I'm going to be in at Harbourfront Centre next month, and I should really be thinking about what I'll be bringing to the Hunt and Gather Trunk Show (where I'll be tabling zines, crafts, and rummage) in a few weeks at The Workroom. Though I wouldn't say I've been slacking off entirely, I've been spending time that would be best spent elsewhere (ahem...at my desk gluing onion skins together!) on a new and exciting internet find- the We Make Zines online community. After signing up the Toronto Zine Library on the advice of a friend, I couldn't resist making my own page for my bajillion zines and bookworks. I've spent the last couple of days posting photos, finding/scanning ancient zines done in high school, and I must say, it's been really amazing revisiting some of my old zine output. It made me remember how long I've been doing zines, how much I've done, and how special they are to me! I've been feeling a little bogged down with artwork lately, so it's been a nice change taking stock of an important part of my creative life I sometimes take for granted...

For those of you interested in zines or who do zines of your own, add We Make Zines to your list of things you do to procrastinate.

And check out my WMZ page, is you feel so inclined.

Pictured (Top to Bottom):
Tea Bag (2004)
Poseur Grrrl #12 (2003)
Cahier (2005)

Shary Boyle- The Cave

I've been meaning to post for weeks about Shary Boyle's latest exhibition, The Cave, at Jessica Bradley Art + Projects. For those of you who have not yet seen it, it's on for another week so hustle over if you want to catch it...

The Cave is an exhibition of recent drawings, small relief sculptures and porcelain works exploring "Boyle’s interest in the vast and fantastical variety of bats in the world, and their recent decline as a signal of impending ecological catastrophe." The show was certainly not limited to bat imagery...also featured were diminutive representations of chandeliers, chalk pastel drawings of period costumes which resemble strangely organic, evocative suits of armour and a milky white porcelain phallus complete with squatting legs and high heels. My favourite pieces included some of the plainly beautiful bat face reliefs and the pictured work above, Wicked Witch of the East, which treads dangerously close to cutesy territory with it's pastel palette and blankety textures. Despite this, it gives you the feeling of a mysterious, alluring nest daring you to disturb it so it's seemingly sleepy bats can suddenly swarm you (entangling themselves in your hair, as the old myth goes...). Also incredible was the large encased bat sculpture (unfortunately, I didn't get the name of it...) which takes Boyle's lace draping technique (best known from her Lace Figures series) to new heights.

It is also worth noting how beautifully the works were presented in The Cave. For example, the pristine white bat relief sculptures were mounted to black velvet, which was echoed in the black velvet painting-esque chalk drawings of costumes and figures. There was a seamless unity to the presentation that was obviously well-thought out by the detail-worshiping Boyle.

The Cave features work that is thematically what Boyle is known for, and rightfully so. It strikes a nerve for articulating the uneasy role of the feminine body not only in myth and fable, but in contemporary society.

For more on The Cave, look here. For more on Shary Boyle, take a look at her website.

Pictured: Wicked Witch of the East, porcelain (unique), 2009

Garlic Gloves II

A preview of some of the details on the latest pair of Garlic Gloves, made over the last two nights. I've been holding onto that crazy onion stem for months!

Garlic skin, onion skin, elm seeds and adhesive
2009

Cluster

My Signature Security Envelopes will be in the above exhibition, a show of recent work by Toronto School of Art Alumni, at Launch Projects. The show runs from March 11th-29th, and the opening is on Thursday the 12th. Should be a great show...please stop by and check it out! Don't come to the opening expecting to find me, though, as I'll be Niagara Falls celebrating my 4-year anniversary with this questionable individual...

Book Covers

For me, book covers (like "good" and "bad" signs) hold a lot of power. I've seen book covers that have made me furious, either because of their bad design, bad concept, or because they were way too gimmick-y. To give you an idea of how emotionally invested I get in bad design, I once told my father (who is a "sign-man") that a Addition-Elle billboard from about four years ago "made a mockery of large women everywhere." Yup...it's true. The idea of the big, stupid, loopy font they used STILL makes my blood boil. Alternately, good book design gives me a sense of satisfaction that rivals the satisfaction I feel when I've finished something of my own, or came up with an idea that I was 100% sure of.

I just killed an hour on The Book Cover Archive and I can honestly say that not a whole hell of a lot of the book covers included on the site grabbed me. Don DeLillo's book covers are obnoxious. The new Vintage edition Kafka covers are disappointing. I am a fan of the covers of the new-ish Penguin "Great Ideas" series, some of which have trickled in at my work (another place I kill hours looking at book covers). The book cover I've pictured above, though, was my absolute favourite on the website. So perfect. We've all been there, haven't we? (Trying to erase something cleanly, to no avail, I mean...)

I've included some other favourites from the archive below. Who is willing to admit that they've bought books for their covers? I am, definitely.

Garlic Gloves

Garlic Gloves
Garlic skin, corn silk, adhesive

Here are some photographs taken today of yet another recent project (this one only a day old...!), which will end up as one of several components in vitrine installation I have coming up in May. The work is very much in progress at the moment, so I don't really want to elaborate much more than this! More photos to come in the coming weeks...

Signature Security Envelopes

My latest project, which has been occupying the last few nights...

Security envelope pattern generated by weaving shredded fragments of my own signature repeated on a single sheet of paper, and photocopying the result.

Valentine's Card

Valentine's card drawn for Ben on Monday at work. That's me on the right!

Punchline inside:
"If I let you pretend I'm DEE DEE, will you be my VALENTINE?"

Artists' Flea Market at Board of Directors

I will be participating in the Artists' Flea Market this Sunday, February 8th from 10am-6pm at Board of Directors (Katharine Mulherin Contemporary Art Projects). The Market will include cheap art works on sale by:

Tara Azzopardi as Baby Jane Lipshitz

Lex Vaughn as Peanut Brittle

Andrew Harwood as Zsa Zsa

Tara Bursey

Tanya Read

Colin Stark

Seth Scriver

Sandy Plotnikoff

Saera Burns-Whymz

Jennifer Lovegrove

Katharine Mulherin

Melissa Hamel-Smith

Melissa Levin

I will be selling loads of zines and bookworks, multiples, pinback buttons, paper-based art, drawings, food art and crafts and other surprises! Tons of stuff for between $2 and $10! Wow!

Should be heaps of fun! Hope to see you there!

Board of Directors

1082 + 1086 Queen Street West

(Near Dovercourt Road)

Toronto

http://www.katharinemulherin.com

Street Poets and Visionaries + What it Really Is Exhibitions

Here are two great-looking exhibitions, found via AKIMBO. There are tons of other great looking shows on right now too; DIYnot? at the OCC, Gretchen Sankey at Paul Petro, Iris Haussler at Honest Eds....if I see even two of the ones I have my eye on, I'll be surprised!...

If I can't make it out, you should!

STREET POETS & VISIONARIES: SELECTIONS FROM THE UBUWEB COLLECTION

Talk by UbuWeb founder Kenneth Goldsmith at 7PM preceding the opening reception at 8PM.

January 09, 2009 - February 21, 2009
Opening Reception: Friday 9 January 2009

Street Poets & Visionaries: Selections from the UbuWeb Collection, an exhibition of posters and ephemeral writings from the streets of New York City.

In the tradition of Jim Shaw's "Thrift Shop Paintings," this collection of street posters, mad scribblings, political screeds, religious rants, and paranoid raves expands our notion of the Outsider arts to include the written word.

Formally striking, emotionally charged, and bizarre beyond belief, these graphical works dovetail with the historic traditions of concrete poetry and art brut. Seamlessly melding text and image, their obsessive quality evokes Adolf Wölfli and Henry Darger's visionary works.

Featured in the exhibition will be the work of David Daniels (1933-2008), a Bay Area poet who created a complex body of work including visual poems using only Microsoft Word. Works from two of his epic series, "The Gates of Paradise" and "Years" will be featured.

UbuWeb (ubu.com) is the Internet's largest resource dedicated to all strains of the avant-garde, ethnopoetics, and outsider arts, featuring thousands of MP3s, films, books, scholarly papers, and poems.

Mercer Union Centre for Contemporary Art
1286 Bloor Street West
(East of Lansdowne Avenue)
Toronto


**********


WHAT IT REALLY IS
Works in sculpture by Kristan Horton, Liz Magor, Kristi Malakoff, Kerri Reid and Jennifer Rose Sciarrino.

27 January - 28 February, 2009
Opening Reception: Tuesday, 27 January, 6-9 pm

Special event: gallery walk-through with curator Nicholas Brown and artists Kristan Horton and Kerri Reid at Red Bull 381 Projects on Saturday, February 14 at 3PM.

A group exhibition that considers the diversity of sculptural practices amongst Canadian artists whose work reveals a fascination with the world around them. Drawing on sculpture's history of incorporating objects found, duplicated, and manipulated, these artists highlight materials as a means of apprehending, mimicking, and animating elements of the real and perceived world. "What it Really Is" may be an object from the everyday, as in Reid's ceramic replicas of broken teacups, or a vast, primordial form distilled through the artist's imagination, as in Sciarrino's abstracted paper stalactites. But despite the title's evocation of a fixed representational identity-the copy's allusion to the real-in these works we find dynamic relationships between art and life. This is most strikingly apparent in Horton's video, which depicts a series of consumer objects slowly unraveling at the seams and transforming into one another through the process of stop-motion animation. Here, materials turn inwards as much as outwards, revealing the desire to mimic both the outside world and the objects in their closest proximity.

This exhibition is accompanied by a publication with texts by Tejpal S. Ajji, Nicholas Brown, and a conversation between Jen Hutton and Liz Magor.

For more information on the artists and download-able images of their work, visit www.redbull381projects.com

Red Bull 381 Projects
381 Queen St. W (Queen & Peter) 2nd Floor
Hours of Operation: Wed - Friday 12pm - 5pm, Saturday 12pm - 6pm

Pictured: A work by Henry Darger

DI-why? at the Ontario Crafts Council

There are so many great shows happening around town right now, but this one is particularly close to my heart, curated by the lovely Janna Hiemstra, and featuring (among others) Becky Johnson and Shannon Gerard. Read on for all the details...

DIwhy?

January 20 – March 1, 2009
Opening Reception:
Thursday, February 5th, 5:30 - 8:30 pm

DIY can be traced back to several historical moments: the Arts and Craft movement of the 1900’s, the 1970’s craft movement, and third-wave feminism alongside the 80’s punk, zine and Riot Grrrl movements.

However, despite these connections, pinning down exactly what DIY is and what it looks like, especially in the realm of craft, remains a challenging task at best. There is no common definition for DIY, and as it becomes increasingly mainstream, the act of distinguishing a particular mode of making according to “do it yourself”, is an issue that continues to be raised.

As such, the OCC is pleased to present in partnership with Toronto Craft Alert, DIwhy?, an exhibition exploring the many different facets of ‘doing it yourself’.

DIwhy? includes the work of Amanda McCavour, Andrea Graham, Becky Johnson, Brooke Pickett, Catherine Trelford-Keogh, Frances Mahon, Heather Bain, Inbred Hybrid Collective, Katie Muth, Katie Sorrell, Lauren Hortie, Maura Meng, Miriam Grenville, and Shannon Gerard.

Pictured: Becky Johnson, Security Envelope Buttons, 2008/09

Punk Project

Punk Rockers On Creative Survival and the Survival of Creativity
Call for interview-ees

I am working on a print project and need your help.

PRCSSC is a publication that will touch on punk, "creativity," class, and counter-cultural activity. People in bands or people who do any sort of creative "work" relating to punk/hardcore (recording, fanzines, record/flyer art, bedroom labels, etc) are needed for short interviews that will discuss punk "production," and how living in Toronto effects what we do and how we do it, for better or for worse. If you are someone who just hangs out and goes to shows, I want to talk to you too. Interviews will be conducted by email only, and you can say as much or as little as you want.

PRCSSC will be distributed in Toronto, Winnipeg and Portland as a part of Create The Situation, a series of artist-made zines about art and activism.

If you're interested, or would like more information about the project, contact me (Tara) at cleanteen(at)hotmail.com

Call for Submissions: Po-lar-i-ty

Launch Multiples

Call for Submissions:

Po-lar-i-ty

[poh-lar-i-tee, puh-]

-noun

1. Physics

a. the property or characteristic that produces unequal physical effects at different points in a body or system, as a magnet or storage battery

b. the positive or negative state in which a body reacts to a magnetic, electric or other field.

2. the presence or manifestation of two opposite or contrasting principles or tendencies

3. Linguistics

a. (of words, phrases or sentences) positive or negative character

b. polar opposition

Launch Projects is looking for submissions of multiples of objects for the Launch Multiples cabinet with the theme of polarity.

Deadline: February 8th

Show Dates: February 25th-April 29th, 2009

Your object(s) may embrace the idea of being something it's not- an imposter- or they may express the versatility of being two extremes at once, embodying two opposites.

Multiples will be displayed for approximately 8 weeks and will be sold with 60% commission going to the artist.

Please email 3-6 jpgs of work proposed or a similar/previous body of work to submissions@launchprojects.ca (Attn: Stephanie Cormier and Tara Bursey). Please include an image list (with medium, size, year, price), and a short bio and/or CV.

Wise Words

Text written on the first page of my agenda from 2006:

What's the biggest obstacle you've overcome in your life?

"Feeling that I ought to be doing something very important all the time. To feel that way is a source of energy, but the difficulty it presents is that it leads you to undervalue the time when you're apparently doing nothing. That kind of time is equally important in that it's a kind of dream time that allows things to get sorted out and re-shelved."

-Brian Eno

Dirge II

Here are some pictures of the Dirge II installation at League of Lovers and Thieves, taken late yesterday night. The installation is a part of this year's incredible City of Craft programming. City of Craft is happening tomorrow from 12-8pm at the Theatre Centre, so do come out if you can! Otherwise, my installation will be up until mid-afternoon Sunday, so if you haven't already checked it out, scoot over tomorrow at some point...

For more info on City of Craft, click here.

Wangechi Mutu

Wangechi Mutu on the weight of beauty, from a recent interview in Border Crossings magazine:

"...But we would have discussions about art (at Cooper Union for the Advancement of Science and Art) and one of the worst words you could say in class was 'beautiful.' What in heaven's name is wrong with the word and why do people get a rash whenever they hear 'beauty' or 'beautiful'? I went from questioning to resenting why no one was willing to discuss why we wouldn't utter the word. I believe the reason is because beauty was actually available to them, their culture decides for the whole world what is beautiful, how beauty should evolve, where it begins and ends. So they were rebelling against the very thing that protected them. They didn't want to use the term beauty because they owned it."

"Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.”

For more, see here.

City of Craft

Only one week away! Here are the full details:

CITY OF CRAFT 2008

Come forth crafty citizens to City of Craft 2008 - an innovative craft culture event where craft shoppers & makers come together to celebrate the handmade spirit. No ordinary craft fair, City of Craft 2008 features free workshops, craft-based installations, and outreach by community arts groups & studios, all alongside a curated craft fair of modern handmade goods.

Details:

WHAT: City of Craft 2008
WHO: 50+ craft vendors, community groups, installation artists, workshop leaders & satellite participants
WHEN: Saturday December 13, 2008, noon-8pm
WHERE: Theatre Centre, located at 1087 Queen Street West at Dovercourt

Some show highlights to get you excited:

*FREE STUFF ALERT: the first one hundred visitors will receive swag bags printed by Studio XIX filled with coupons for the show, plus fantastic goodies from indie publications and local & international craft artists.
*AWESOME STUFF ALERT: Check out amazing handmade goods on offer by more than 40 talented makers: http://cityofcraft.com/2008/cityofcraft/vendors.html
*NEIGHBOURHOOD CRAFT CRAWL: City of Craft takes to the streets with crafty programming in local businesses and galleries. (Those of you with a sweet tooth should not miss out on cupcake decorating & knitting activities at the Knit Café.)
*CRAFTY-COOL INSTALLATIONS: Stop by the window of League of Lovers and Thieves to check out Tara Bursey's installation of hundreds or origami shoes made with tea bags, or have a Victorian silhouette portrait taken by Danijela Photography, featuring a papercut frame by artist Li Sui. Get lost in a landscape of fibre, photography and sound by Lynn Harrigan, Scott M2 and dreamSTATE.
*MAKE YOUR OWN HANDMADE GIFTS (FREE!): Workshops include origami star books by the Paper Place, fabric covered magnet sets by The Workroom, recycled felt ornaments by Mr. Sköna, and screen printed cards by Kid Icarus.
*AFTERNOON TEA: Eat treats from Yummy Stuff & sip tea by Tealish between 2-4pm

So there you have it, there is really no better place to be on December 13th, 2008.

Visit the show website at http://cityofcraft.com/2008/cityofcraft which is being continually updated with more details.

Dirge II

My installation for City of Craft! Be sure to check it out!

DIRGE II
an installation by Tara Bursey
at League of Lovers and Theives
1156 Queen Street West
Toronto

December 6-13, 2008.
A part of City of Craft 2008.

DIRGE II is part of a body of work originally inspired by the idea of the Chinese bound foot shoe as a metaphor for the ways individuals can be bound similarly by traditional and contemporary facets of society, particularly from a female perspective. The work explores and juxtaposes imagery relating to foot binding with ideas and materials which reference mass-production and the role of the body in industry and manufacturing. At the root of the work is an interest in visually and materially exploring past and present forms of oppression and de-mobilization.

DIRGE II is comprised of hundreds of origami shoes made of jasmine and green tea sleeves. The use of origami alludes to comparisons between hobby-craft and manual labour/assembly line work. The use of packaging is also central in it's allusion to package and product, garment and body, and the use of both the garment and the package as a cover or false front for what is truly contained.

Tara Bursey is a recent graduate of the Toronto School of Art's diploma program, and a former student at Ontario College of Art and Design. An artist whose practice encompasses sculpture and installation as well as drawing and craft, Tara's work is characterized by its use delicate sculptural materials such as eggshells, garlic skin, found garments and paper. During her studies at the Toronto School of Art, Tara was the recipient of TSA's Barbara Barrett Scholarship (2004) and Matthew David Stein Scholarship (2005). In the past two years, she has exhibited extensively throughout the city in a diverse range of venues, from storefront window installations and telephone poles to the Textile Museum of Canada, the Ontario Crafts Council, and in group exhibitions in Halifax and Copenhagen. Tara's most recent projects include co-ordinating The Portable Library Project and working as one-third of the Toronto Zine Library Collective. In addition to her work as a fine artist, Tara also operates actively within Toronto's independent music and small-press communities as a DJ, illustrator and designer. She was born and raised in Toronto, Canada.