On The Waterfront happened and wrapped only one short day ago. Main documentation to come soon, but here are some fun snaps taken by others found on Twitter.
Monday, February 09, 2015
Monday, February 02, 2015
Christiane Pflug, With the Black Flag, 1971
Kitchen Door with Ursula, 1966
I saw a photo today of the inside of the AGO and was reminded of a painting I saw there from their permanent collection a few years ago that I really loved. After a bit of research, I found that the artist's name is Christiane Pflug and the painting is called With the Black Flag.
Even though the painting was done in 1971, it really reminds me of what the city looked like through my eyes as a child, maybe about 15 years later. While the Victorian houses in the foreground are generally associated with the central core of the city (Pflug lived her last years in an apartment near Summerhill Station), the high rises and hydro poles feel quintessentially Scarberian. The unsettling stiffness of the trees, the red sky, and of course the black flag give off a emanate an undercurrent of anxiety and foreboding. This feeling is only made worse by what appears to be a second flag emblazoned with the Elmer the Saftey Elephant logo...the stuff of childhood nightmares!
A little more research revealed that Christiane Pflug committed suicide at 35 on the beach at Hanlan's Point, which partially explains the mood of her paintings. I really enjoy both of these, and am interested in learning more about her.
Saturday, January 31, 2015
Nice mention of my piece The End (Evelyn Prentice) in the Hamilton Spectator today, in both the Spec print paper and website. Thanks to Spec art critic Regina Haggo for the mention in her review of the Invitational exhibition at you me gallery, which is up for another week or so. The closing reception and informal artist's talks will take place on Sunday, February 8th at 2 pm for those who are interested.
Read the review for yourself here: http://www.thespec.com/whatson-story/5295130-an-inviting-exhibition/
Monday, January 12, 2015
I made a new website over the Winter Holidays.
This website is different from my last because while it has a small archive of artwork, it focuses more on my curatorial projects. While I'm still doing a few final tweeks, you may find it here: http://www.tara-bursey.com
Saturday, January 10, 2015
I just finished the above drawing for Maximumrocknroll's upcoming Comics and Art Issue. This one is a real doozy...my hand still hurts!
The inclusion of the photos in this post illustrates how the drawn image came to be. In the summer, I took about a dozen photos after an industrial fire in the North End of Hamilton where I live. The photos turned out really well-- the contrast between the vivid blue sky, the iconic red Hamilton brick and the extremely orange rust was really striking. And the way the remains of the fire were reduced to rubble was also really something.
As amazing as the colour was in the photo, I decided to translate the photo into a black and white drawing. The idea for the drawing comes from global cities and global culture and the continuous allure of the cities named in the illustration (the text is lifted from the American Apparel bag) in contrast to my own feelings of immobility, and the obvious immobility of a lot of people who live in my city, and more specifically, my neighbourhood.
When I moved to Hamilton, I was more or less unemployed for over a year. In one of the coldest winters on record, Ben and I would walk for a half hour to his shop one block north of the site of this fire late at night to plan the business he was about to start. Even though we were on the cusp of "starting something new," it was one of the most depressing, lonely, fraught winters of both of our lives. Occasionally, I would go back to Toronto to visit friends and a favourite topic of conversation among many of my friends and acquaintances was the trips they were about to go on, had been on, or just went on as part of school or for pleasure. The contrast between the topic of travel and the way I felt at the time felt really cruel.
This is what this drawing is about.
Tuesday, December 16, 2014
Nice mention of last year's Hamilton Winterfest exhibition, Winterlore, on Akimblog's 2014 Critic's Picks, Hamilton edition. Thanks, Stephanie Vegh!
This year's exhibition is fast approaching. More info in this recent post here.
Tuesday, December 09, 2014
There are some very exciting exhibitions on the horizon in Hamilton that I'm involved with that may be of interest to those in the area engaged in the often intersecting worlds of art and heritage. I'm putting on another outdoor exhibition as part of Hamilton Winterfest this February. On The Waterfront, as well as Things Made Here are unique shows that celebrate material culture and local history. See below, as well as Tourism Hamilton's website for more details!
On The Waterfront
A Hamilton Winterfest Exhibition
Lesley Loksi Chan
Fwee Twade (Becky Katz and Matt McInnes)
Carey Jernigan and Julia Campbell-Such
To be on the waterfront is to be on the threshold of something. The waterfront is where settlers landed, and early trade took place. In the 19th Century, the area surrounding Pier 8 was home to some of the city’s first industrial sites, among them an iron works, boat works, sail loft and glass company. In On the Waterfront, industrial sites will serve as points of departure for contemporary artists from around and outside of the region. Evocative outdoor installations will draw on skills, materials and forms associated with early industry, as well as the social history of the neighbourhood. This exhibition will consider the Hamilton’s waterfront as a site of historical significance, tension and possibility, as well as a place where past stories and dreams of the future collide.
At the Hamilton Winterfest Kick-Off Event: February 7, 2015
12:00pm – 8:00pm
Pier 8, Hamilton
Things Made Here: The Collection of Glen Faulman
January 31 to March 21 2015
AGH Design Annex
118 James Street North, Hamilton
Glen Faulman (AKA The Hamilton Kid) is a 10th generation Hamiltonian and a 3rd generation steelworker. He is also part owner of This Ain’t Hollywood on James Street North—needless to say he has great pride in this city, and in particular, the things made here. Glen’s goal is to collect “an artifact from every manufacturing plant that ever operated in Hamilton,” which would be a number approaching a thousand.
On view at the AGH Design Annex are selections from his extensive collection of objects made in Hamilton. From a late 19th century sewing machine produced at a factory formerly located at James Street North and Vine Street, to a stunning Hamilton cash register made on James Street North at Colbourne, to nail samples and graphic ads for soda pop and beer, these everyday artifacts will be familiar to long-time Hamiltonians. They are a stunning introduction for those less familiar. Three types of objects are on display: graphic designs used commercially, the things themselves that were produced, and the things to make things with, such as nails and other components.
At the AGH Design Annex, we provide a platform for contemporary local designers. This exhibition will situate newer pieces in the context of historic local production, with the goal of celebrating those aspects of graphic and industrial design that have stood the test of time.
Curated by Melissa Bennett (Curator of Contemporary Art, Art Gallery of Hamilton) and Tara Bursey (Independent Curator).
Join us during Art Crawl on Friday February 13, from 7 pm to 11pm as we launch the exhibition Things Made Here: The Collection of Glen Faulman. Meet the Collector and revel in DJ Johnny Angel’s 78 Spin Out – playing all your favorite 78’s.
For more information: