Friday, November 21, 2014
This is a public service announcement on behalf of the Supercrawl Curatorial Committee!
Supercrawl 2015 Call for Artist Submissions
Deadline: Tuesday December 16, 2014
Supercrawl is a free annual outdoor art and music festival in downtown Hamilton, and the Supercrawl Curatorial Committee is excited to once again release our Call for Artists for 2015. Supercrawl celebrates the unique mix of arts organizations, cultures, businesses and creative people along James Street North in Hamilton. Last year Supercrawl attracted over 100,000 attendees and will continue to grow in scale in 2015.
The Supercrawl Curatorial Committee presents a wide variety of artistic projects at the annual James Street North Supercrawl. The goal of the committee is to curate contemporary public art which challenges site and context, as well as works that present new opportunities for access and engagement for Supercrawl attendees.
The committee selects projects by local, national and international artists based on artistic merit, originality, and ability to integrate within the festival's scale and energy. This committee reports to the Supercrawl Board of Directors. Since 2010, the committee has curated works in a variety of media, including projects by Dean Drever, Zeke Moores, Sean Martindale, BGL, Kelly Mark, Kim Adams, Max Streicher, and many others. Committee members are Melissa Bennett, Tara Bursey, Amy Kenny, Courtney Lakin, Ciara McKeown, Dane Pederson, Alana Traficante, Stephanie Vegh and Matthew Walker.
The Curatorial Committee invites artists working in a wide range of creative disciplines to propose works for installation as part next year's event, taking place on September 11-13, 2015.
The Committee is interested in seeking proposals in the following media:
Video (projection-based is preferred)
Storefront window installations
Works will be installed in various locations along James Street North; in addition, the committee is looking to focus on works that can be installed within the following contexts:
Mural wall on west side of 20 Wilson Street
Various windows of buildings along James Street North
Street vinyl (adhesive vinyl art on pavement, walls or windows)
Silent video shorts
*Please email us for images and further details on the above sites.
Proposals must consider public safety, visibility, and that which can be safely performed, or executed outside with large crowds at anytime of day/night, and will remain impactful during both the daytime and night hours of the festival. Each project selected will be allocated an artist’s fee and production fee. Costs such as travel and accommodation, where necessary, may be covered and will be addressed on an individual basis; production assistance may also be available.
1. Artist's statement—conceptual statement on the work (150 words maximum)
2. Practical explanation of the work—i.e. Scale, materials, methods, etc. Thought must be given to install plan and technical/logistical requirements, as well as cost considerations
3. Three images/stills/sketches of the proposed work, supported by 3-5 images of previous work relevant to the proposed project (jpeg, max. 72dpi, no larger than 768 x 1024 pixels). Include title, year, medium, dimensions for all images
4. A clip, link or digital copy of any video (10 minutes max), if applicable
5. A statement as to whether the proposed work has been exhibited before; if it has, please include details as to where and when
6. CV with mailing address, phone number and email contact information
7. Location suggestion for your work (optional)
The Supercrawl Curatorial Committee is open to creatively diverse work that has visual impact and responds to the streetscape of the event. Artists and their work will be identified and publicized as official Supercrawl curatorial selections during the event, on the Supercrawl website and in select media releases. Artists will be required to sign a contract with Supercrawl Productions Inc. The committee will contact selected artists in late January – early February 2015.
Send submissions to email@example.com
Subject Line: YOUR NAME, SUPERCRAWL ART
Deadline for submissions is Tuesday December 16, 2014.
Thursday, November 20, 2014
Ben and I whipped up a little installation for our awesome friends at local record shop Hammer City Records for November's art crawl. This installation is also a big crazy promotional scheme for Ben's new business, Gorilla Graphics. We are grateful that Craig and Leah gave us the space to purge our brains of some silly imagery lifted from the annals of pop culture's sewer.
GORILLA GRAPHICS: THIS IS OUR BRAIN ON VINYL
Art Crawl Night Friday, November 14 7-11PM
Hammer City Records
Gorilla Graphics is a small business run by lifelong punks Ben Needham and Tara Bursey that specializes in producing custom vinyl and sign graphics for exhibitions, promotions, artists and businesses big and small. Part showcase and part mural, Gorilla Graphics: This Is Our Brain On Vinyl blends the objects and visuals we love from the worlds of punk, art, pop culture and design. This installation illustrates the countless possibilities for producing vinyl graphics for application on everything from walls to windows to drum heads. Radical vinyl decals for cars/skateboards/your UFO/etc. will be sold at the opening, with all proceeds going to Hammer City Records!
Hammer City Records
228 St N at Rear off Robert Street Alley
Show runs until the second week of December!
Carpet shop signage, West Pico Boulevard, Los Angeles
South African Embroidered Panel at the Fowler Museum, Los Angeles
Mexican Human Skull Mosaicwork, LACMA, Los Angeles
Jenny's, Chinatown Alleyway, San Francisco
Ricky Henderson Planter Mosaic, Temescal, Oakland
San Francisco Botanical Gardens, Golden Gate Park
Night palms in Westwood, Los Angeles
Chris Burden and Me, LACMA, Los Angeles
Scenes from my time in California, September 2014.
Sunday, September 21, 2014
This summer, I had the pleasure of working on community art project Artasia 2014, an annual program of Culture for Kids in the Arts, which is the charitable arm of the Hamilton Conservatory for the Arts. I was technically the curator-in-residence for the project, which was a massive, intense collaboration! The collaborative nature of this project rendered anyone's title moot, basically-- we all did so much, and there was a lot of overlap! Part of this work involved working with Hamilton-based sculptor Svava Thordis Juliusson. Her work produced for Artasia 2014, That Blue. That Red. That Yellow, was a big hit at our preview exhibition and final exhibition at Supercrawl and it was a pleasure to see it unfold in her studio. Here are some shots of it from two separate studio visits, taken in July of 2014.
Monday, July 21, 2014
Tuesday, July 01, 2014
At the beginning of this year, I had the awesome opportunity to visit a 3rd year textiles seminar class at Sheridan College as a guest curator thanks to friend and colleague Thea Haines, an instructor in their department of Crafts and Design. I gave a talk about my work as an independent curator with a deep love and appreciation for textiles. I also helped design and present an assignment to students where they were to prepare a submissions package for a call that I wrote around the theme of cotton. All the students in the class were asked to think critically about cotton-- as a raw material, the history and politics of its production, and its qualities as a textile-- towards proposing an installation that they would create in the window of fantastic Hamilton textile shop, Needlework.
After all submissions were received and graded by Thea, Liz and Kate from Needlework and myself got together to jury the submissions. Though so many submissions were thoughtful and worthy, we eventually decided on a proposal by the talented Alexandra Brownell who, inspired by archival photos at the Hamilton Local History Archives, created a nostalgic and whimsical tapestry that paid tribute to the carefree quality of cotton, outdoor fairs and the pleasure of summertime. I supported Alex through the process of planning her installation and writing an artist's statement, which was a great experience!
Sweet Fibre went up a few weeks ago, and is up for another week or two. Spin around to check it out before it's too late! And congrats to Alex on a wonderful first solo show!
Monday, June 16, 2014
New project alert! Check out the following call for submissions and throw something my way if you're interested!
CALL FOR SUBMISSIONS
at the Peter McKendrick Community Gallery
Artscape Wychwood Barns, 601 Christie Street, Toronto
Curated by Tara Bursey and sponsored by the Wychwood Barns Community Association
Repair Centre invites artists to submit art and project proposals that explore the politics, pragmatics, poetics and aesthetics of repair. This exhibition will take place at the Peter McKendrick Community Gallery in July of 2015.
Drawing on the past function of the Wychwood Barns TTC streetcar repair barns, Repair Centre will examine the function and principles of repair to restore, renew, maintain and heal. This call for submissions invites artists to consider artistic acts of repair as a means of engaging issues related to (but not limited to) architecture, ecology, the material world, DIY, labour, skilling and deskilling, the aesthetics of repair, human relationships, performativity and the borderlands between art and life. This exhibition proposes repair as an opportunity for re-invention, re-incarnation and an experience beyond a simple means to an end.
Please send the following materials for consideration:
-- A project proposal of new work, or a statement about previous work you are submitting for consideration (one page maximum, pdf format)
-- 3-5 jpgs of previous work (72dpi; 1024 x 768 pixels) or web links to video or audio
-- A corresponding image list (pdf format)
-- An updated CV and Bio (pdf format)
-- Contact information
Please send proposals to firstname.lastname@example.org by July 15th, 2014. Please label all email submissions as REPAIR CENTRE SUB in the subject line.
Friday, June 06, 2014
Just got this amazing piece of work in the mail today from Abraham Diaz and Yecal Disaster of Ediciones ¡Joc Doc! in Mexico City. All pages are screenprinted and risographed; the art is by 16 artists from around the globe. Buy it here!