Tuesday, September 11, 2012
I've spent the last week and a bit working hard on the following project for an upcoming show in October. Lots more to do, but decent progress is being made, I suppose. Above is a photo of the work in progress-- essentially a drawing of a mid-century end title card made with black and white sesame seeds. Below is some of the source material, as well as an excerpt from my proposal for the project.
Last week, North America faced record-breaking high temperatures from coast to coast. Ominous newspaper headlines marked this summer’s early heat waves, storms, wildfires and power outages to be a glimpse of “what global warming looks like.” For me, one of the most disconcerting aspects of global warming is the effect that it will inevitably (continue to) have on food production.
In addition to my ongoing concern over global warming, I have been thinking a lot about shifts from one historical period to the next, and our collective inclination to mark epochs and define the time we live in. If the mid 20th Century and its golden age of cinema could be considered an age of illusion and suspended belief, perhaps our current era can be characterized by a general loss of illusions.
Simultaneously a celebration of mid-century design and a meditation on loss, The End points to our inclination to repeatedly mark historical periods as a series of ends while pondering the precariousness of our environment in the present.