Showing posts with label print. Show all posts
Showing posts with label print. Show all posts

Friday, June 06, 2014

Naziosare



Ivan Manuppelli 

Guess Who? 

Mou 

 Colin Clark

Just got this amazing piece of work in the mail today from Abraham Diaz and Yecal Disaster of Ediciones ¡Joc Doc! in Mexico City.  All pages are screenprinted and risographed; the art is by 16 artists from around the globe.  Buy it here!

Monday, May 12, 2014

Recap: Justseeds in Hamilton






Yours truly at top right, DJ Carla Coma at bottom right

Last March, I organized two exhibitions of the work of Justseeds Artist's Cooperative at Homegrown Hamilton (This is an Emergency!) and Hammer City Records (Celebrate Women's Herstory) in honour of International Women's Day.  What started out as an idea for one exhibition soon sprawled into two, along with a couple of amazing community partnerships with SACHA and Centre3 for Print and Media Art.  At the opening party, four lady DJs (including myself and Justseeds' DJ Mary 'Mack' Tremonte) spun records to the point that revelers needed to be kicked out because they didn't want the party to stop.  The opening was seriously one of the funnest nights I've had in Hamilton since moving here just under a year ago and I'm still reeling from all the wonderful feedback about the two shows and the sheer awesomeness of them.

It's been a while since the show closed, and I've been meaning to post here to thank everyone one more time for making this happen.  Thanks first to Mary Tremonte (Toronto-based Justseeds member) without whom the shows would not have happened. Thanks to Mike of Homegrown Hamilton and the amazing Leah and Craig of Hammer City Records for providing valuable wall space, enthusiasm and assistance. Thanks to Carla Coma and Donna Lovejoy for providing amazing tunange. Thanks to Erin Crickett and SACHA for teaming up and spreading the word and Ingrid at Centre3 for helping coordinate the artist's talk with Mary and Jesse of Justseeds.  

The Justseeds shows were in part inspired by the shared enthusiasm for print culture that spans across Hamilton cultural scenes, from art to craft to activism to punk rock.  Evidence of this can be found in retail spaces like Mixed Media on James Street to the DIY merch made by Hamilton punk rockers to the incredible community initiatives of Centre3. I'm proud that the Justseeds exhibitions and events in March (and of course the work of Justseeds) brought these things together in a profound way.

I'll be putting together one more show at Hammer City Records this year!  Not sure what it will be yet, but the goal is for it to be as amazing and fun as the Justseeds shows.  We'll see what I can muster up...

Saturday, March 08, 2014

Justseeds Artists' Cooperative in Hamilton this Friday!


If you're in Hamilton (and even if you're not!), don't miss the multi-venue event Celebrate Women's History with Justseeds Artists' Cooperative which kicks off on Friday, March 14th at the James Street North Art Crawl!  Thanks so much to the local exhibition partners for helping make this happen-- Homegrown Hamilton, Hammer City Records, Centre3 for Print and Media Art and SACHA.

RSVP on the event Facebook page here: https://www.facebook.com/events/701873419870645/?ref=br_tf
RSVP to Celebrate Women's Herstory at Hammer City Records on Facebook here: https://www.facebook.com/events/533030836816430/?ref_newsfeed_story_type=regular

Saturday, March 01, 2014

Celebrate Women's History In Hamilton with Justseeds Artists' Cooperative






























It's amazing to see so many events cropping up around Hamilton for International Women's Day on the 8th.  I'm adding one to the pile that I've had up my sleeve since the beginning of this year-- a two-venue art event showcasing the work of the Justseeds Artists' Cooperative, a collective of print artists from across the US, Canada and Mexico.  I was introduced to Justseeds' work at Printed Matter's NY Art Book Fair at PS1 in 2012 and fell in love with their punchy, passionate prints that tackled topics such as climate change, feminist heroes and war resisters.  It's my pleasure to have a hand in bringing their work-- with the help of Justseeds member Mary Tremonte, a former Pittsburgher (is that a word?) now based in Toronto-- to the Hammer.  Read on for more info about Justseeds, the exhibitions, our partners and the opening party at art crawl on March 14th!

*****

Celebrate Women's History In Hamilton with Justseeds Artists’ Cooperative
In honour of International Women's Day 2014-- 20+ Artists!  Two Venues!  Print Media!  Gender Justice!  Rock’n’Roll!

Exhibition #1:
This is an Emergency!
At Homegrown Hamilton, 7 King William Street, Hamilton, Ontario
March 14th - April 10th, 2014; opens at Art Crawl, March 14th, 2014, 7pm. Presented in association with SACHA
http://www.homegrownhamilton.com/
http://sacha.ca/

This is an Emergency! is an exhibition of a print portfolio organized by Meredith Stern of Justseeds in 2012 which focuses on reproductive rights and gender justice. In response to all the bullying, legislative measures, and the horrifying statements filling the media against women, 2-LGBTQ, and non-gender conforming folks, the project brings together a collection of voices responding through visual art and interviews. This project brings together the voices of people most affected by these issues-- women, queer identified, and transgendered artists.

Exhibition #2:
Celebrate Women’s Herstory: A collaborative printstallation created by Justseeds Co-op members Mary Tremonte and Jesse Purcell, including selected posters from the Celebrate People’s History poster series. Posters and prints will be available for sale.
At Hammer City Records, 228 James Street North, Bsmt @ Rear; opens at Art Crawl, March 14th, 2014, 7 pm
https://www.facebook.com/pages/Hammer-City-Records/144221478929997

Other Events:
Art Crawl Opening Night Party! DJs Mary Mack, Donna Lovejoy, Carla Coma and Tara Strange spin a lady-hero playlist at Hammer City Records, 228 James Street North, Bsmt @ Rear, March 14th, 2014, 7-11pm

Artists’ Talk with Justseeds’ Mary Tremonte and Jesse Purcell at Centre3 for Print and Media Arts, Saturday, March 22nd, 2014 @ 5pm, PWYC
http://centre3.com/

*****

Justseeds Artists’ Cooperative is a decentralized network of 24 artists committed to making print and design work that reflects a radical social, environmental, and political stance. With members working from the U.S., Canada, and Mexico, Justseeds operates both as a unified collaboration of similarly minded printmakers and as a loose collection of creative individuals with unique viewpoints and working methods. We believe in the transformative power of personal expression in concert with collective action. To this end, we produce collective portfolios, contribute graphics to grassroots struggles for justice, work collaboratively both in- and outside the co-op, build large sculptural installations in galleries, and wheatpaste on the streets – all while offering each other daily support as allies and friends.

Mary (Mack) Tremonte is an artist-educator-DJ currently living in Toronto, ON where she is a Masters student at OCADU. Her vibrant silkscreen prints explore queer animal sexualities, amplified possibilities, and signifiers. As a DJ and party organizer she strives to create temporary safe spaces for expression, as well as to raise funds and awareness for grassroots causes. She is consumed with printmaking, totally teens, collaboration, communication and the politics of social space, particularly the danceparty.

Jesse Purcell is a multi-disciplinary artist and professional printmaker. After many years of working in MontrĂ©al’s vibrant screen-printing mileu, he has recently relocated to Toronto. The roots and current drive of his practice derive from the global DIY underground poster and art scene, which confronts issues of social and environmental injustice. He has a 20-year history of working in and with socially engaged artists’ collectives with the goal of using art as a tool of social transformation. His current work experiments with scale and pushing the parameters of the serigraphic medium.

Celebrate Women's History in Hamilton with Justseeds Cooperative is organized by Hamilton-based artist and curator Tara Bursey in collaboration with Homegrown Hamilton, Hammer City Records, Centre3 for Print and Media Art and SACHA.

Justseeds Artists' Cooperative, 2012

Wednesday, December 11, 2013

Fear of Punk//Fear of Art in Hamilton










Fear of Punk//Fear of Art at Hammer City Records came down yesterday!  Huge thanks to Craig, Leah and Brett at the shop for hosting the show.  We had a great time, and are thrilled with the awesome feedback and enthusiasm about the show we received.  Merch (stuff above) by Matthew McGarry, Weird Luke, Dustin McChesney and myself will be available at the shop until the end of this week, after this Friday's Art Crawl.  Christmas gift alert!

We want to mount this show again at least once more in Canada.  If you're interested in Fear of Punk coming to your town or gallery, get in touch!

Monday, October 28, 2013

Fear of Punk//Fear of Art in Hamilton






Show #2:  We are excited to announce that Fear of Punk//Fear of Art will have a second installment in Hamilton, Ontario at Hammer City Records.  This exhibition will open during November's James Street Art Crawl on November 8th, beginning at 7 pm.

Tell the world you wouldn't miss it here:  https://www.facebook.com/events/1399765893594543

Hamiltonians:  For a taste of what the exhibition is all about, check out this great little piece written by Alison Lang of Broken Pencil that discusses the exhibition's premise and a few of the participating artists:  http://www.brokenpencil.com/news/fear-of-punkfear-of-art-at-zine-dream-6

Art Crawl Night: 
FEAR OF PUNK // FEAR OF ART 

Adam Kindred (Halifax)
Alex Ratcharge (France)
Alexander Heir (NYC)
Dustin McChesney (Minneapolis)
Emma Maatman (LA)
Erick Lyle (NYC)
Heather Benjamin (NYC)
Jill Pucciarelli (Olympia)
Leah Wishnia (NYC)
Matthew McGarry (Rochester)
Nathan Gattis (Chicago)
Paul D’Elia (LA)
Sam Ryser (NYC)
Shiva Addanki (NYC)  
Spoiler (Montreal)
Tara Bursey (Hamilton)
Weird Luke (NYC)
Yecatl Peña (Mexico City)

Curated by Ben Needham and Tara Bursey

Punk is everywhere.  From malls to museums, the influence and imagery of punk’s past has largely been absorbed into mass culture. Despite this, contemporary DIY punk rock sits firmly outside of the mainstream, and at both regional and global levels is stronger than ever. The visual culture that surrounds it is variably dark, threatening, chaotic, smart, funny, mysterious and questioning.

Fear of Punk / Fear of Art highlights the creative output of current punk artists, bringing their work out of its usual context while exploring intersections between punk rock, art and print culture. The purpose of the exhibition is to celebrate contemporary punk art while sharing it with a broader audience. The exhibition includes drawing, sculpture and printed matter that draws inspiration from horror, the occult, sex, despair, popular culture, art history and urban life.

FEAR OF PUNK / FEAR OF ART runs November 6-December 10
at Hammer City Records
228 James Street North (Basement at Rear)
Hamilton, Ontario

On Art Crawl Nights you can enter via bcontemporary gallery direct from James St North, or the usual entrance off the Robert Street alley located between Granny’s Place and the Classic Cafe Patio.

Wednesday, October 23, 2013

Canzine on BlogTO


Had a great time at Canzine last weekend!  Great people, great conversations-- zine fairs like Canzine always feel like a big reunion.  Contrary to what my expression says above (I look PISSED), I had fun.

It was brought to my attention that I got a pretty nice mention on BlogTO in the wake of the fest.  Check it out here.

Wednesday, October 16, 2013

Canzine 2013


15 years after my very first appearance at Canzine (I tabled with my zine distro when I was 16 at the first ever Canzine held at the long-defunct Club Shanghai on Spadina in '98!), I'll be at Canzine hawking my wares for the first time in several years this Sunday.  Canzine is holding a Symposium on the Saturday before the big Sunday fair, which looks great. What will I be selling this year?  This is a mystery even to me at this point, but I promise there will be some new goodies up for grabs.  Hope to see ya'll there!

Canzine Toronto 2013
Sunday, October 20, 1-7pm
918 Bathurst Centre
(North of Bathurst Subway Station)
Toronto

Wednesday, July 10, 2013

Some Thoughts on Grassroots Archives


Photo scooped from the PUBLIC>ACTION Facebook page.

A couple weeks ago, I attended an open discussion about archiving printed matter at OCAD University, as part of the month-long Public Action residency at their Student Gallery organized by Professor and print-y artist Shannon Gerard and masters student Mary Tremonte.  The roundtable was facilitated by Maggie Flynn, an interdisciplinary artist.  I am happy that Maggie thought to invite me (despite the fact that we had never met!).  It is crazy how much I miss out on, in large part because I'm not on Facebook and don't get the memo about a lot of events around town.

A bluurb about the discussion presented the following questions:

Leave aside for a moment the images of dusty boxes and stacks of paper that cling to the word “archive”. For this discussion we'll think about archiving as any act that preserves accumulated knowledge and collective memory. How can the process of archiving past or present social movements give direction or even instruction for future action? Can collected information serve as a conduit for action? How do we keep track of movement and change in the communities we are a part of? How can processes of archiving reflect the values of the activity being documented?

Up until recently, I worked at a (wonderful) museum.  I also helped run a zine library for over two years, am a longtime record collector, and do some independent curating.  Recently, I served as a consultant with a historical society as to how they could best display and care for their collection of ethnic costumes, photos and printed matter-- my first post-school independent work as a curator/museum professional.  I am only now realizing how much I am 'at home' in archival processes and practices and truly enjoy and am excited by the prospect of a making a life of this kind of work.

Chucking around ideas and experiences of archiving, particularly within the context of activism and grassroots activity made me think hard about the work I've done, specifically the successes and failures of the projects I've been involved with.  I thought I'd unpack some of my thoughts on this in light of this roundtable talk, as well as some of the ideas and points made by others during the discussion.

The Virtues of Autonomy?:  This is a topic I struggle with a lot and it is something I brought up almost immediately during the discussion.  The word 'archive' immediately brings about ideas of authority and institutionalization.  What does it mean to archive independently, outside of the confines of the institution? Alternately, what sort of freedoms or advantages (ie: financial, a built-in audience) do academic and civic/municipal national archives afford archival projects, and those doing the archiving?

I have often claimed that something that makes the Toronto Zine Library (where I was a volunteer librarian/collective member for just over two formative years in their history) special and sets them apart is that, unlike many zine libraries (especially locally), it exists outside of the umbrella of an educational institution.  While this may set them apart, could this be fairly referred to as a strength?  The TZL was (is still, I think) dynamic in that all volunteers had very different backgrounds and experiences, and existed within a broader local community instead of an insular institution.  However, it was severely hindered by a profound lack of money when I was a volunteer.  At the OCAD discussion, I admitted that the TZL had $100 stolen from the library once, and the impact was pretty devastating.  To most organizations, $100 is chump change.  The fact that $100 could either be considered admirable-- that we were able to make a small amount of money stretch-- or pretty damn sad.  If we had more money or put more effort into securing funding (private or from a funding body), we could have reached more people, and likely done more with the collection and the space.

But am I being lazy/uncritical by assuming that 'autonomous' archives are more virtuous than institutional ones?  How can institutional archives be maximized in terms of their reach?  In what small ways can they be liberated?  Does it matter?  How can grassroots archives be more sustainable and perhaps more ambitious?  Again, does this matter?

Processes of Archiving as 'Emotional':  This can apply to anyone who collects or has experienced attachments to souvenirs or keepsakes.  This also makes me think of the meaning of the word curate-- it means "to care," after all.

Learning About vs. Learning From Archives:  One OCAD educator present at the discussion brought up this important point that resonated with me.  We learn about all sorts of archiving projects, but how often do we learn from archives-- the material that is archived, and other people's experiences of archiving?  (If I misinterpreted his point, someone please enlighten me...I'm sure there is much more that can be said about this...)

The Digital Black Hole vs. The Crisis of Space:  In this day and age, what is the bigger boogeyman? Personally, I can't decide...

The Pragmatics of Radical and Conventional (?) Archiving:  
Facilitator Maggie expressed the desire to unpack how radical archivists can archive their own archiving processes (!).  A good point of discussion for sure. Burnout is a reality in activist circles and in DIY endevors that take up a lot of time, energy and effort.  As people float in and out of a particular project, how is important knowledge preserved?  How can past experiences be learned from?

Archiving as 'A Sort of Dreamtime':  What a beautiful idea.  This relates back to the idea of archiving being 'emotional.'  This reminds me of how laborious, meditative art processes bear fruit, providing one with a dreamtime through which to have free thoughts and make new, unexpected discoveries.  Perhaps the same can be said about the process of archiving?

I would be eager to hear anyone reading this chime in on these matters.  The exciting thing about open discussions is all the enthusiasm, ideas and experiences people have to share.  However, I tend to get hung up on the pragmatics of archiving, and the roadblocks that get between archives and accessibility, sustainability, and their ability to 'function:' a term that is up for debate, for sure.

Sunday, June 23, 2013

Fear of Punk / Fear of Art


I am in the middle of pretty intense work towards this exhibition that my main man and I are putting on together.  I really could go on and on about the motivations behind this show, but for now I will just leave this post as a declaration of the fact that it happening in just under a month.

This is kind of an exhibition of international punk art, though the number of artists we could include was greatly limited by the space we secured-- a teeny gallery across the street from Central Tech.  The show features a great group of artists that could be simply described as 'punk' artists making artwork within and around punk rock music (though in a lot of cases, this description is only a small piece of the puzzle).  Fear of Punk / Fear of Art includes several artists from NYC, a few from  the midwest and west coast, Canada, and as far away as Mexico City and France.

Stay tuned for more info in the coming weeks!

***

FEAR OF PUNK / FEAR OF ART

Alex Ratcharge (France)
Alexander Heir (NYC)
Emma Maatman (LA)
Erick Lyle (NYC)
Heather Benjamin (NYC)
Jill Pucciarelli (NYC)
Leah Wishnia (NYC)
Matthew McGarry (Rochester)
Nathan Gattis (Chicago)
Paul D'Elia (LA)
Sam Ryser (NYC)
Shiva Addanki (NYC)
Spoiler (Montreal)
Tara Bursey (Toronto)
Weird Luke (NYC)
Yecatl Peña (Mexico)
and more.

Curated by Ben Needham and Tara Bursey

August 2-4, 2013
Communication Art Gallery
209 Harbord Street, Toronto
http://www.communicationgallery.net
Opening Party:  Friday, August 2, 2013.  7-10 pm

Presented as part of Zine Dream 6, an annual small press art fair
http://zinedream.com

Punk is everywhere.  From malls to museums, the influence and imagery of punk’s past has largely been absorbed into mass culture.  Despite this, contemporary DIY punk rock sits firmly outside of the mainstream, and at both regional and global levels is stronger than ever.  The visual culture that surrounds it is variably dark, threatening, chaotic, smart, funny, mysterious and questioning.

Fear of Punk / Fear of Art highlights the creative output of current punk artists, bringing their work out of its usual context while exploring intersections between punk rock, art and print culture.  The purpose of the exhibition is to celebrate contemporary punk art while sharing it with a broader audience.  The exhibition includes drawing, sculpture and printed matter that draws inspiration from horror, the occult, sex, despair, popular culture, art history and urban life.

For more information, contact ben.t.needham@gmail.com or tara@tarabursey.com

https://www.facebook.com/events/267288286747509/

Images, from left to right: Alexander Heir, solo exhibition poster design; Alex Ratcharge, Maximumrocknroll t-shirt design; Leah Wishnia, Garden of Earthly Delights screenprint; Heather Benjamin, Shut Up t-shirt design.

Wednesday, January 30, 2013

Father Knowledge, Mother Tongue


In the thick of work on my thesis project.  This is a first shot at a promotional image for the project, which will eventually emerge as books, a book launch event in late March, and an exhibition-like space where the launch will take place.  More on this soon!

Tuesday, October 23, 2012

New York, New York


A few weeks ago, I threw caution to the wind and went to New York for the NY Art Book Fair at MOMA P.S.1.  What a great time!  I was gone for only 2.5 days (and spent almost as much time on the bus as I did in New York), but it was a whirlwind of awesome.  Much better than my last trip to Manhattan-- a mandatory day trip from Baltimore that equalled 8 hours on the bus and 5 hours in the city...?!  Boy, was that frustrating.



We covered a lot of ground in less than two days, spending much of both days at the fair in Queens, staying overnight in Greenpoint, Brooklyn (bed and nightlife delivered by the fabulous Elsner), and hanging out a little bit in Manhattan.  As great as the book fair was-- with tons of art publishing houses as well as a zine tent, beer, music and more-- the main attraction for me was a talk by Gee Vaucher (below), the artist behind all the iconic Crass record art.   She talked for an hour about her art practice, punk and self publishing.  I even worked up the courage to ask a (rather doofusy) question about how punk strategies of communication and resistance (collage, wheatpaste, etc.) have been co-opted by mainstream advertising/capitalist ventures.  I was a little starstruck, I admit-- she's an art hero of mine, for sure.  For more on Gee's amazing work, click here.



The NY Art Book Fair was a pretty inspiring event.  There was lots of overlap between art, music and publishing there (even Malcolm Mooney, the first singer of CAN and an amazing artist in his own right, performed-- I missed it!) which made me feel more at home than I've felt at an art event in a really long time.  I even ran into a fellow ziney Torontoite.  Here's to blowing off school and travelling!  Up the art book punx!

Monday, July 30, 2012

Zine Dream 5



Zine Dream-- the annual zine (among other things) fair-- is happening again in August, but this year it has grown into an impressive three-day event.  Opening night is at the new location of Art Metropole; day two will feature a panel discussion moderated by small press/art/craft queen Shannon Gerard; and the main event takes place on day three-- a zine fair with 50+ vendors, entertainment and more.

I missed ZD last year on account of skipping town for Baltimore, but this year I'll be there with lotsa goodies.  I'll have a few old zines up for grabs as well as these posters and a brand new collaborative zine that I'm hoping will be done by the 12th!  Hope to see y'all there.

Event deets can be found here.

Thursday, June 14, 2012

Toronto Life



Two-colour Risograph prints on archival cardstock made in collaboration with JP King of Paper Pusher Print Works. These drawings will be on the upcoming School Jerks 12", due out in a matter of weeks.

1) Thanks, JP!  
2) Prints can be purchased here.

Wednesday, May 09, 2012

School Jerks 12" Art



I've been busting my hump for the last week on drawings for the School Jerks 12", which is due out very, very soon. I'm down to the last two drawings and am really losing steam...!  I'll be producing a 11"X17" 3-colour poster of all 17 or 18 drawings for the record in collaboration with Paper Pusher Print Works within the next few weeks.  Very exciting stuff!

Thursday, October 06, 2011

Das Bande

Das Bande

Among all of the work and relocation-related craziness I was faced with this summer, I somehow managed to begin one zine collaboration project, and end another. This one-- Das Bande-- was a whopping year-and-a-half in the works. I am happy to say that it finally made its way into the world in August...the week that I left town!

  Das Bande

Das Bande was a collaboration between Gena Meldazy and myself. Gena was one of the people interviewed for my Punk Rockers on Creative Survival and the Survival of Creativity zine in 2009. Shortly after finishing that project, Gena asked if I would like to work with her on a zine project that focusses on women involved in punk rock across Canada. The zine ended up featuring several interviews (mostly conducted by Gena) with individuals (most impressively Jade Blade from the legendary Vancouver punk band The Dishrags...whoa!), and the interviews were broken up by drawings I did of girls from in and around Toronto's punk scene. For the cover, we asked the formerly of Toronto/now of Vancouver printmaker and illustrator Megan Speers to draw something, and the result-- a gang of girls camping in rural BC, presumably?-- was totally and utterly amazing. After much humming and hawing over an appropriate name for the zine, we finally settled on Das Bande, and I hand stamped title bands for the small print run of 50 zines in total. The zine also has a fold-out poster of the interior drawings I did for the zine, which I unfortunately lacked the foresight to photograph...darn!

Do you want a copy of this zine?  Gena is overseeing its distribution, and I suspect that they may be all accounted for seeing as the print run was so small.  If you're interested, contact Gena and ask her if and how you can get one.


Tuesday, September 20, 2011

Cover Stories

Cover Stories Cover Stories


Before I left to come to Baltimore exactly one month ago, I packed my life with an unbelievable amount of projects-- mostly collaborative.  Some had been in the works for a while, and I felt a real responsibility to have things finally materialize before I left town.  It was also a good way to spend some time with the people I know before I left Toronto for a while.

One such project was "curating" the exhibition Cover Stories for the Toronto Zine Library.  While I was asked by the TZL to curate an exhibition, it was largely a collaboration between myself and three of the members of the TZL Collective-- Lyndall, a talented lady who made a documentary about Who's Emma a few years ago; Chris, the creator of many zines over the last 10 or 15 years, at least one of which is considered a Canadian "classic"; and Patrick, who is one of the founding members of the TZL, and is a great all-round guy and an amazing baker.  After being asked to help create an exhibition, I spent three or four weeks going through the library's massive collection with a fine tooth comb, picking out any zines that I liked especially, or pulling out zines that shared some sort of mutual connection.  While I went into this project not having any curatorial theme in mind whatsoever, one slowly emerged. As an artist and zine-maker, I couldn't help be attracted to interesting and unique design in the zines I came across.  I eventually decided that creating a narrative about zines through their covers might be a neat way to create an exhibition that, while forming physical zine "groups," doesn't claim to draw on any real fixed history of zine-making.

I eventually chose a pile of zines and divided them into 6 loose thematic groups which eventually became "Just Text," "Print Media," Colour," "Little Zines," "Hearts and Other Body Parts," and "In the Mail."  Each collective member of those mentioned above chose two groups at random to write short didactic descriptions about to serve as wall text for the exhibition, interpreting the themes as they saw fit.  I wrote the following summary of the exhibition:

Cover Stories is an exhibition of selections from the public collection of the Toronto Zine Library.  Using thematically-grouped zine covers as a springboard, we thought it would be interesting to highlight zine art and design as a way of telling the greater story of zines– what they are, how they’ve changed over the years, and why they continue to be a valuable and relevant medium.  While some selections from the library have been refashioned as photographs for this exhibition, others appear in their original form to be handled and appreciated as intimate and tactile objects.   In creating this interactive exhibition, we hope that you will spend time with some of the titles on display while learning about zines as both an art form and a method of communication.


We were REALLY down to the wire with finishing work for this exhibition-- we ended up installing the show two days before I left for Baltimore!  I am thrilled with how the exhibition turned out-- it was a really great collaboration, and everyone played a really important part in making it happen.  Lyndall took some really fantastic pictures of the zines that were chosen for the exhibition, and Chris played a huge part in designing and assembling what ended up being a really wonderful exhibition zine/catalogue (pictured above), which will serve as a great document for after the show comes down.

Cover Stories should still be up in the Southern Cross Room of the TRANZAC Club at 292 Brunswick Avenue, in the Annex.  I'm not sure when it's coming down, but if you're interested in checking it out, do so soon!

Thursday, October 14, 2010

Printing Errors at Akau

























I attended the opening for the great little exhibition Printed Errors at Akau Gallery at the beginning of the month, and have been meaning to post about it here for a while. Here is the text from the press release:

As we all know, to err is human. Or, as a character in Jonathan Franzen’s novel “Freedom” says, in retrospect, “mistakes were made”.

In this exhibition, Barbara Balfour has invited thirteen artists who have worked in various forms of print media to respond to the notion of Printing Errors. They include: Janice Carbert, Shannon Gerard, Libby Hague, Micah Lexier, Patrick Mahon, Eric Mathew, Ken Nicol, Lauren Nurse, Dan Olsen, Derek Sullivan, Jeannie Thib, Daryl Vocat, and Joy Walker.

Once one moves beyond the detection of error – the dismay and disappointment of one’s own error or the Schadenfreude of detecting someone else’s – what can be done with it? Above all, can printing errors be interesting?

As someone with a real interest in print media (a little known fact about me is I started a print major at OCAD almost 10 years ago which I subsequently ran kicking and screaming away from, though I've never lost my visceral connection to the process of printing), this was a really fun show to soak up and think about. It was also neat to play spot the error with each piece! I especially enjoyed the work of Ken Nicol (who did the cue card piece pictured above that was not in the show) and Jeannie Thib, and it was nice to see some fellow artists from the DIY art/craft community included as well, Shannon Gerard and Daryl Vocat.

Printing Errors is a part of the international print symposium, Printopolis, sponsored by Open Studio. For more on it, check out this website.