Hamilton Winterfest

There are some very exciting exhibitions on the horizon in Hamilton that I'm involved with that may be of interest to those in the area engaged in the often intersecting worlds of art and heritage. I'm putting on another outdoor exhibition as part of Hamilton Winterfest this February. On The Waterfront, as well as Things Made Here are unique shows that celebrate material culture and local history. See below, as well as Tourism Hamilton's website for more details!

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On The Waterfront
A Hamilton Winterfest Exhibition

Lesley Loksi Chan

Fwee Twade (Becky Katz and Matt McInnes)

Hopkins Duffield

Carey Jernigan and Julia Campbell-Such

Aaron Oussoren

C. Wells

To be on the waterfront is to be on the threshold of something. The waterfront is where settlers landed, and early trade took place. In the 19th Century, the area surrounding Pier 8 was home to some of the city’s first industrial sites, among them an iron works, boat works, sail loft and glass company. In On the Waterfront, industrial sites will serve as points of departure for contemporary artists from around and outside of the region. Evocative outdoor installations will draw on skills, materials and forms associated with early industry, as well as the social history of the neighbourhood. This exhibition will consider the Hamilton’s waterfront as a site of historical significance, tension and possibility, as well as a place where past stories and dreams of the future collide.

At the Hamilton Winterfest Kick-Off Event: February 7, 2015
12:00pm – 8:00pm

Pier 8, Hamilton


Things Made Here: The Collection of Glen Faulman
January 31 to March 21 2015
AGH Design Annex
118 James Street North, Hamilton

Glen Faulman (AKA The Hamilton Kid) is a 10th generation Hamiltonian and a 3rd generation steelworker. He is also part owner of This Ain’t Hollywood on James Street North—needless to say he has great pride in this city, and in particular, the things made here. Glen’s goal is to collect “an artifact from every manufacturing plant that ever operated in Hamilton,” which would be a number approaching a thousand.

On view at the AGH Design Annex are selections from his extensive collection of objects made in Hamilton. From a late 19th century sewing machine produced at a factory formerly located at James Street North and Vine Street, to a stunning Hamilton cash register made on James Street North at Colbourne, to nail samples and graphic ads for soda pop and beer, these everyday artifacts will be familiar to long-time Hamiltonians. They are a stunning introduction for those less familiar. Three types of objects are on display: graphic designs used commercially, the things themselves that were produced, and the things to make things with, such as nails and other components.

At the AGH Design Annex, we provide a platform for contemporary local designers. This exhibition will situate newer pieces in the context of historic local production, with the goal of celebrating those aspects of graphic and industrial design that have stood the test of time.

Curated by Melissa Bennett (Curator of Contemporary Art, Art Gallery of Hamilton) and Tara Bursey (Independent Curator).

Join us during Art Crawl on Friday February 13, from 7 pm to 11pm as we launch the exhibition Things Made Here: The Collection of Glen Faulman. Meet the Collector and revel in DJ Johnny Angel’s 78 Spin Out – playing all your favorite 78’s.

For more information:

http://www.tourismhamilton.com/festivals-events/winterfest-2015/art-winterfest-2

Réchneek in Broken Pencil Magazine

Réchneek, the publication that grew out of my thesis project last year, received a very classy review penned by Chris Landry in the latest issue of Broken Pencil Magazine.  How suitable that it was included in an issue that also featured a piece on aging zinesters.  To learn about what type of zines aging zinesters make, read on:

Depka Bursey, in collaboration with her daughter, Tara Bursey, has created a record of a Macedonian dialect in dictionary form.  The language, as it was spoken in the first half of the 20th century, contains many dialects and was traditionally passed down orally from generation to generation even as it was suppressed by Greece's repressive, anti-communist regime.  If reading a zine in dictionary form seems dull, don't worry, it's not.  That's just the first half of Réchneek.  In the second portion there is a transcript of an interview between Tara and her mother.  The discussion covers Greek political unrest, the military coup, language policy, food shortages, immigration to Canada, and perhaps most importantly, the personal connection to the Macedonian language.  Apart from the political history you'll get a compelling glimpse into a family history which, as someone whose grandparents fled a different kind of repression in Poland, I found really affecting.  Depka and Tara even include reproductions of old photographs adhered with photo corners.  I also appreciated descriptions of what certain neighbourhoods were like in the '60s and '70s.  Queen and Broadview, Pape and Danforth, Gerrard and Parliament, and others have all gone under tremendous changes and it is fascinating to hear a first-hand recollection of the fountains and drunks in Cabbagetown or how the Goodwill store used to be called "Crippled Civilians."

This project was put together in a style that is consistent with previous zines by Tara: half-letter size format, a heavier, textured cover with start typeface; and an interview format based on the subject's personal experience.  There was a notable difference as well-- the absence of illustrations.  I found myself wondering why Réchneek begins with the dictionary and then follows with the interview and not the other way around.  I think it is because language is the focus with this project.  Depka says to Tara, "it would be wonderful if people had the interest that you seem to have.  It's so sad that all these languages are dying because they have a history behind them."  I think that's the definition of a worthy project: capturing a unique story that would otherwise perish in the void. (Chris Landry)

The Hamilton Sign Register

New project alert!  I've started a new blog called The Hamilton Sign Register-- the product of many recent aimless, unemployed person wanderings around my new city.  It is an outlet for my love of old signs and typefaces as well as a way educate myself more about them and get to know Hamilton a little better.

http://thehamiltonsignregister.blogspot.ca/

UnArchive and Stairmasters at Artscape Youngplace

I have nearly reached the end of two consecutive contracts with Artscape and these amazing exhibitions are the culmination of them!  UnArchive and Stairmasters, curated by the amazing Heather Nicol (with research and curatorial assistance from yours truly), are important parts of the official opening of Artscape Youngplace at 180 Shaw that happens tomorrow. Come and see the first phase of Unarchive (more work will be added to the exhibition until the official exhibition opening on Jan 7th), amazing artwork and artifacts, and an astounding update to a beautiful example of Toronto's built heritage. Register to attend tomorrow's public opening here. Lots more info about the Artscape Youngplace project can be found on their website.

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Unarchive

Phase One: November 19, 2013

Exhibition opens January 7 - March 30, 2014
Artscape Youngplace, 180 Shaw Street

www.artscapeyoungplace.ca

Featuring new works by: Ian Carr-Harris and Yvonne Lammerich, Dave Dyment, Lee Henderson, Nina Levitt and Jessica Vallentin with selected items from the Givins/Shaw Junior Public School historic archives, and artwork by students at Givins/Shaw Junior Public School.

Curated by Heather Nicol

Curator’s Talk & Tour: January 7, 2014, 7:00 to 9:00 pm

Opening Vernissage: January 9, 2014, 7:00 to 9:00 pm

Unarchive features new works by artists Ian Carr-Harris and Yvonne Lammerich, Dave Dyment, Lee Henderson, Nina Levitt and Jessica Vallentin, who have been granted access to the rich Givins/Shaw Junior Public School archival collection comprised of records and data, photographs of classes and teams, trophies and plaques, scrap books, press clippings, snapshots and more, packed into locked closets and an over-stuffed vitrine. This remarkable treasure trove has inspired and provoked creative responses in sculpture, installation, assemblage, text and photo based works. The exhibition also features historic and pedagogic displays, along with artworks by current Grade Four, Five and Six students from the Givins/Shaw J.P.S.

As this elegant school building’s transformation into the innovative Artscape Youngplace draws to a close and the dust finally settles, Unarchive will unfold in synch with the architectural completion. November 19 marks the first phase of the project; the fully realized exhibition will be on view from January 9 - March 30, 2014, with an opening vernissage taking place on January 9 from 7:00 to 9:00 pm and a curator’s talk and tour on January 7 from 7:00 to 9:00 pm.
Unarchive and Stairmasters inaugurate the Artscape Youngplace Hallway Galleries, an impressive new public exhibition space at Artscape Youngplace, soon to be the largest cultural institution in the West Queen West area. The galleries span more than 9,000 square feet of spectacular corridor and stairwell space across three floors and are open seven days a week with free admission.

Image: Lee Henderson



Stairmasters


Debbie Adams, Melissa Fisher and Seth Scriver

Curated by Heather Nicol
November 19, 2013 – March 30, 2014

Artscape Youngplace,
180 Shaw Street

Announcing a new era of creative intervention at 180 Shaw Street, the North, South and West stairwells at Artscape Youngplace have been transformed into site-specific installations. Often-overlooked architectural zones, the liminal, in-between and connective qualities of these spaces are expanded upon by artists with wide-ranging practices spanning animation, design, sculpture, book and film making. Using vinyl as their medium, these “stairmasters” playfully explore the material’s associations with signage, temporality and mutability, inviting viewers on an experiential ascent or descent as they explore Artscape Youngplace in its inaugural season.

This project kicks off the new Artscape Youngplace Hallway Galleries, which span more than 9,000 square feet of spectacular corridor and stairwell space across three floors, and are open seven days a week with free admission.
Heather Nicol, a Toronto-based multi-disciplinary artist with a studio at Artscape Youngplace, is the curator of the two inaugural exhibitions, UnArchive and Stairmasters. Nicol previously curated and produced Art School (Dismissed) on this site in 2010, an intervention which responded to the decommissioned Toronto District School Board property prior to its renewal by Artscape.

Curator’s Talk & Tour: January 7, 2014, 7:00 to 9:00 pm

Reception: January 9, 2014, 7:00 to 9:00 pm
www.artscapeyoungplace.ca

Image: Debbie Adams

Telling: An Audio Survey of Parkdale

November is almost upon us, as are three exhibitions I've been working away on for the past few months!  First up: An exhibition of audio art in public spaces around one of my very favourite Toronto neighbourhoods, Parkdale.  See below for details.

TELLING: AN AUDIO SURVEY OF PARKDALE

Various venues around Parkdale

November 6th-30th

Reception: November 7th, 7-10pm


Panel Talk: November 13th, 7pm

Curated by Phil Anderson and Tara Bursey


With participating artists: Luis Jacob, Myfanwy Ashmore, Zeesy Powers, Shannon Gerard, Paul Aloisi and Jaclyn Meloche

“Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” 

― Jane Jacobs, The Death and Life of Great American Cities

Telling: An Audio Survey of Parkdale is an exhibition of site-specific audio works that will animate familiar and hidden spaces across Parkdale. Each participating artist has chosen a different site along Queen Street West as a starting point to engage and explore the history and character of one of Toronto’s most storied and diverse neighbourhoods. This exhibition pays tribute to the real and mythic spaces, stories and people important to the exhibition’s participating artist/residents.

This exhibition will tell the story of the Pigeon Lady of Parkdale, a local landlady who was known to feed hundreds of pigeons that would flock to her street corner each day. The sound of pigeons outside of Capitol Espresso will serve as an aural memorial for one of the neighbourhood’s former residents. In Gallery 1313’s courtyard, a representation of horses using sound and visuals recalls where police horses were led to the back stable house, a space which is part of the current home of Gallery 1313.  At Bacchus Roti, the sounds of the Gardiner Expressway-- which when created caused several hundred Parkdale homes to be demolished for its construction-- is juxtaposed with an image of the lakeshore, serving as a reminder of the often complicated relationship between nature and the built environment. These and other stories conjured by participating artists will reside with the public as works of art, encouraging current residents to tell and trade their own stories, thus taking an active role in the creation of a collective community history.

A panel discussion featuring Judith Doyle (Professor, OCADU), Shawn Micallef (Author/Editor/Co-Owner, Spacing Magazine; Columnist, the Toronto Star) and Darren Copeland (Artistic Director, New Adventures in Sound Art [NAISA]) will invite the public to engage in discussion about the works featured in the exhibition, as well as the use of audio technology in contemporary art practices. Moderator will be Russell Smith, cultural writer for the Globe and Mail and author of several books.

This exhibition is presented in partnership with the following local businesses: Capitol Espresso, Bacchus Roti.

Media contact: 

Phil Anderson, Director, Gallery 1313 

416-536-6778 or 647-918-6606

http://www.g1313.org

Hamilton Supercrawl 2013

Hooked Ontario coat of arms chair pad.  Really nice!

Dancing shoes.

Last year, I gushed about Supercrawl after taking in the full event from the comfort of the tent where I was helping as part of the Toronto Hyperbolic Crochet Coral Reef.  Supercrawl this year was a whirlwind-- we had guests from Toronto who came to take in the event with us.  By the time we had a leisurely chat and a few drinks on our front porch, Saturday afternoon had turned into Saturday night and we were tossed into the shark tank that is the grand finale of the mammoth annual event that includes art installations, food trucks galore and several A-list musical acts.

We made a big mistake taking our time, because Supercrawl is not something you can really take in in two hours on the final night.  We found ourselves wandering in to Christ's Church Anglican Cathedral on James Street to catch our breaths.  Being from Toronto, huge street fairs with food and cheap vendors (Supercrawl certainly had its share of these this year) are a dime a dozen.  Rarer experiences are those you get in a historic building where you can share in a sense of quiet wonder with a large group of similarly awestruck folks amid the chaos of the outside world.

"The Ward"

Read a great article in the Toronto Star yesterday highlighting the (largely forgotten) history of the downtown Toronto neighbourhood once called "The Ward"-- home to thousands of immigrants who arrived in the city between the 1890s and 1920s.  This neighbourhood, which my work happens to be right in the heart of, was home to Toronto's first Chinatown and was even earlier a bustling-- if utterly impoverished-- multicultural community.  John Lorinc of the Star asks: "How should the present-day city excavate and commemorate the heritage of this ghost neighbourhood and its critical role in the shaping of modern Toronto?" An important and timely question as heritage buildings are jeopardized by the unprecedented amount of development happening in the downtown core right now.  FYI: "The Ward" was demolished in the 1950s to make way for Nathan Phillips Square, New City Hall and hospital row on University Avenue.