The Pulling Strings Reference Library

There's lots of amazing stuff brewing with my textile-based collective, Pulling Strings.  A few weeks ago our newest project, The Pulling Strings Reference Library, had its soft launch at Needlework.  A growing collection of eclectic textile-related publications have been installed in Needlework's window along with a cozy chair for browsing and lounging.  After April, the library will become an ongoing fixture at Needlework as a semi-permanent community reference of textile art, theory and how-to books, zines and catalogues both old and new, weird and wonderful.

There are other great library goings-on happening until the end of April as well.  Every Tuesday and Thursday, our blog will feature reviews of books from the personal collections of some of our textile heroes.  This series kicked off last week with reviews by Robyn Love, Kate Jackson and Grant Heaps with many more lined up (previews of a few of the books that will be featured above!). At the end of April, we'll have a reading event at Needlework where an impressive group of textile enthusiasts will read aloud from their fave textile books.  More details to come soon!

http://pullingstringshamilton.blogspot.ca/
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Toronto Hyperbolic Crochet Reef at Gallery 1313

December's Window Box installation at Gallery 1313 is well-timed considering it was a topic of discussion during Shannon's artist talk at the inaugural Pulling Strings event in Hamilton.  The Toronto Hyperbolic Crochet Reef is an ongoing community project originally conceived by four Toronto artsy crafters closely connected to the amazing City of Craft fair (also happening in December just down the street from Gallery 1313!).  Read on for details about this inspiring, growing installation.  The exhibition reception is tomorrow night!  Also, check out the THCR blog for info on how you can contribute your own hyperbolic forms to the reef.

Also, a reminder: only 3 more days to check out the multimedia works of another Gallery 1313 project, Telling: An Audio Survey of Parkdale before the disappear on the 30th.

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The Toronto Hyperbolic Crochet Reef
Gallery 1313 Window Box
December 2013

Reception: Thursday, November 28th, 7-10pm

The Toronto Hyperbolic Crochet Reef is a collective project of endless crochet for the city of Toronto. Inspired by the pioneering work in hyperbolic crochet of Dr. Daina Taimina and the artful modelling projects of the Institute for Figuring in Los Angeles, the Toronto Reef is just one in a great confluence of reefs worldwide that use craft and community art to address the problems of global warming and plastic oceanic trash. The reef is run and mostly built by Angelune Des Lauriers, Shannon Gerard, Kalpna Patel and Becky Johnson but it remains open to coral contributions from anyone in the city.  The Toronto Hyperbolic Crochet Coral Reef has been exhibited at City of Craft, Roadside Attractions, Fly Gallery, The Knit Cafe and at White Elephant as part of Hamilton Supercrawl.

http://torontohyperbolicreef.blogspot.ca/








1313 Queen Street West
Toronto, ON. M6K 1L8
Hours: Wed – Sun, 1:00 pm – 6:00 pm
Phone: 416-536-6778
http://www.g1313.org

Introducing Pulling Strings!

In the middle of the whirlwind of exhibitions happening this month, this little golden nugget is launching and I am very excited-- it's a project that has been in the works for a while.  Pulling Strings is a collective and quarterly event series organized by Jen Anisef (who I worked with on Toronto Craft Alert), Thea Haines (who's art I've always admired) and I.  The aim of Pulling Strings is to "investigate contemporary cultural themes through textile-linked lectures, panel discussions, exhibitions, workshops, and fieldtrips.  Motivated by a belief that textiles tell us a lot about our culture, and inspired by Hamilton’s creative community’s contribution to downtown renewal and civic engagement, Pulling Strings aims to create an accessible and dynamic space for people of various stripes to come together and engage in the exchange of ideas."

I'm really proud and excited to continue my critical work with textiles through this project, and to situate it in Hamilton, my new home.  Our first event is a talk and workshop with artist, educator, publications maven and crochet fiend Shannon Gerard, and it's happening this Saturday.  Don't miss out-- details about the event and pre-registration below.

AND an additional side note for Torontonians-- the Hyperbolic Crochet Coral Reef project (Shannon is a contributor) will be showing in the Gallery 1313 window box for the month of December!

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After months of coffee shop scheming and logo napkin doodles, we are pretty dang excited to be getting Pulling Strings off the ground with a talk and workshop led by Shannon Gerard! Shannon was a natural choice for a first speaker in the series – her playful approach to her practice is never stuffy or alienating but always makes you think about things not previously considered – exactly what we are trying to achieve with Pulling Strings.

Next Saturday (November 23) Shannon will give a talk and Q&A at the Hamilton Artists Inc, followed by a hands-on workshop at Needlework. We are super grateful to both spots for giving Pulling Strings, a roving series, its first home.

Recognized for her engaging teaching and speaking style, Shannon will share the evolution of her crochet practice from recognizable objects with a decorative or educational function to forms that graph concepts of hyperbolic space or chart biographical and emotional journeys.  Following the talk, anyone is invited to push the boundaries typically associated with crochet as a functional pastime in a conceptual crochet workshop - no crochet experience necessary! As spaces are limited, we'll need you to register beforehand by emailing us at pullingstringshamilton@gmail.com.

Here are the details:
Who: Shannon Gerard (http://shannongerard.tumblr.com)
When: Saturday November 23, 2013; Talk and Q&A (2:00-3:30pm); Workshop (4:00-5:30pm)
Where: Talk and Q&A – Hamilton Artists Inc. 155 James N Hamilton, ON (@ Cannon); Workshop – Needlework, 174 James St N Hamilton, ON
Cost: Talk - FREE; Workshop - $10
Registration: Talk – all are welcome, no RSVP required; Workshop – contact pullingstringshamilton@gmail.com to register.

A bit about Shannon: In addition to teaching courses in print media and nano-publishing at OCAD University in Toronto, Shannon Gerard makes artist's books about magic, hope, faith and human frailty and produces large-scale installations that incorporate stop-motion animations and digital print. Shannon spends at least 50% of her waking life crocheting soft sculptures, which include Boobs and Dinks, Plants You Can’t Kill, and contributions to the Toronto Hyperbolic Coral Reef.

Jung Jung

Spotted these incredible lace knit veggies by Japanese artist Jung Jung on Essen Magazine's site today...how could I resist posting them.  SO amazing.

Crocheting Time and Space

Not much to share these days in terms of my own work on account of it being crunch time at school.  One thing I would like to share is this incredible example of conceptual craft dreamt up my internet pal Lana, who hails from Hamburg, Germany.  A brilliant example of time-based crochet, this is what Lana had to say about the project:

I have crocheted this bangle in the subways of Hamburg on November 2nd, 9:00 - 14:00.  I crocheted only while driving in the subway, in the color of the current subway line.  I started at home, because the beginning is complex (you have to sew, which would be difficult in the subway). Then I started with the red line at "Gänsemarkt," and drove to intersections to switch the color/line.

I rode the subway for so long until the bangle was finished.
  Surprisingly, this was exactly at 14:00 on the station "Wandsbeker Chaussee."  The whole experiment lasted 5 hours,
 pure crocheting time was: 3 hours 43 minutes.

The bangle was available in my etsy shop.

Genius!  Imagine what the NYC subway system would look like?  It would probably be the size of a skipping rope...or longer!

Hamilton Supercrawl 2012 Report

Tons of fun was had last weekend at what may have been my last summer hurrah before a deluge of autumn work at the Hamilton Supercrawl.  I went as a special assistant to pals Becky and Kalpna whose fabulous project, the Toronto Hyperbolic Crochet Coral Reef, was (and still is) installed at indie accessory and vintage shop White Elephant for the duration of weekend.

Becky and I rolled into Hamilton late on the first night of the Supercrawl.  Armed with a mickey of bourbon, we took to the streets and spotted some great stuff, among it DIY street haircutting, ornate steel quilts, a samosa vendor that had 10+ tantalizing varieties including vegetarian South African samosas, and the above collage work by art collective Group of Seven Billion, which in many cases reminded me of the punk art of Winston Smith and Crass artist Gee Vaucher.  The next night, I came away with three fabulous pieces for a whopping $12-- thanks guys!

After a night's rest, we pitched a tent and made some impromptu hyperbolic coral models and answered questions from passersby about the installation and the fine art of hyperbolic crochet.  Visitors to the tent marveled at Kalpna (whose hands are in the foreground) and her hybrid crochet-knitting overhand swoosh technique as well as Becky (gal with yellow tights) and her anus-themed pseudosphere...!  We also answered the question of the day exactly eleven million times: "How much are you selling these afghans for?"  Answer:  "They are not for sale-- they are only for decoration. Sorry."

My Saturday was spent slowly making what ended up being a rather wimpy crocheted pseudosphere.  I also got to see the fabulous Hamilton-born and bred proto-punk band Simply Saucer on an outdoor stage.  Later that day, we took down the tent, ate dinner, drank a few pints at The Brain, and caught the end of Owen Pallett's set before hunkering down for the night.

I'm ready to move to Hamilton!

Hyperbolic Cat Wig

This is about all I have the time to muster up for a post right now.  Looks kind of like Kitty (!) from That 70's Show...

Orly Genger

Just bought the latest issue of Sculpture magazine, which had a feature on American artist Orly Genger. I had never heard of her before...she makes amazing large-scale installations consisting of crocheted rope. I read that the bottom image, Big Boss, was crochet entirely by hand by Genger and consists of 100 miles of rope. Totally amazing...imagine how muscular she must be!

More on Genger here.

Images, from top: Puzzlejuice public installation in Riverside Park, NYC (2006), Plump (2006), Big Boss 2010.